![]() Whoever coded/designed their stuff did an amazing job, it was really high quality sound. There even was a modular plugin that could build amazing drum machines. I had a virusC and a nordlead at the time, and even if those had more power I preferred the sound of the creamware synths and fx. ![]() Yeah, I meant cheapish from an economic point of view, as they cost half of what the virus and nord desktops would. It was so well delivered in terms of being faithfull recreations of those immediate control surfaces. And with all of those ASB boxes, the tactile inteface can't be ignored. The Virus is more powerful on some levels, but when you look at this from a sonic (no pun intended) perspective, the Creamware ASB boxesachieved less, but delivered sound a notch or two up the food chain. Kind of the same build quality standard there. The ACCESS stuff is really well built and I have always appreciated that, but so is the Creamware stuff. I have tried the Nords, and I have a Virus B which I love to death, but the Minimax destroys it in terms of that Model D capability, and it also got some killer FX. "Cheapish" is not a word I would use to describe these ASB devices. I always saw asb boxes as cheap-ish.I would disagree with this. As desktop synths they were competing with nord, virus, and maybe a few more, most considerably more expensive albeit more powerful. I don't think the prices were high at the time, in Germany they were around 600€ iirc.
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